Under the oppressive heat of the Spanish sun, the fiercely independent Carmen attracts the attention of Don José. She warns him not to fall in love with her, but his obsession knows no bounds.

Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera. An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. Following his 2023 Royal Opera debut, Sesto Quatrini returns to conduct Bizet’s electrifying and sensual score.

At a cosy Christmas party, young Clara meets the mysterious magician Drosselmeyer, who gives her a nutcracker doll. When the guests have departed and the house is asleep, Clara sneaks downstairs in search of the doll. Instead, she finds Drosselmeyer, who whisks her away on a journey into a whole world of enchantment: fantastical landscapes of flurried snow and glittering confection where toys come alive and the magic never stops.

Peter Wright’s production of this festive family favourite sparkles to the wondrous swell of Tchaikovsky’s orchestral score, alongside the glow and grandeur of Julia Trevelyan Oman’s period designs.

Emmy and Tony winner Christine Baranski makes her West End debut alongside Academy Award-nominated stage and screen legend Richard E. Grant in Noël Coward’s irresistible comedy.

Judith Bliss retired from her life-on-stage and she misses the applause. Idling away at their country home, the rest of the family are too self-involved to be a good audience. So, Judith

invites a young fan as her guest for the weekend. But unbeknownst to her, each of the Blisses has a guest of their own arriving at the very same time.

Filmed live from the West End, Emily Burns directs this stinging new production.

Puccini’s exhilarating drama of the Wild West returns in a new staging by Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Vida Miknevičiūtė makes her Met company debut singing the role of Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures, live from the Met stage to cinemas worldwide.

Spurred on by a bet, two young men hatch a plan to test the fidelity of their girlfriends. What follows is a slippery game of seduction and power, the four lovers plunging into a dizzying world of shifting reality, where truth becomes increasingly unstable. 

The fierce and funny five-star play returns to the big screen. Sam Mendes (The Lehman

Trilogy) directs Mark Gatiss in an Olivier Award-winning performance as John Gielgud.

1964: Richard Burton (Johnny Flynn), newly married to Elizabeth Taylor (Tuppence

Middleton), is set to play the title role in an experimental new Broadway production of Hamlet

under Gielgud’s exacting direction. But as rehearsals progress, two ages of theatre collide

and the collaboration between actor and director soon threatens to unravel.

From multi-award-winning writer Jack Thorne (Adolescence), this acclaimed production was

filmed live during its sold-out London run in 2023.

At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole, events become curiouser and curiouser…As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream? Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.

Princess Odette is bound by a curse, turned into a swan by the evil sorcerer Von Rothbart. The spell can only be broken by a pledge of eternal love. When she meets Prince Siegfried, he is immediately enamoured by her fragile beauty and pledges to free her. But freedom is not promised for Odette as Von Rothbart conspires to thwart the lovers’ plans. Liam Scarlett’s production for The Royal Ballet brings together Tchaikovsky’s towering score and John Macfarlane’s picturesque designs to create an enduring ballet spectacle of love, treachery and forgiveness.

Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates, in order to save the man she loves. Can she find a way out? Oliver Mears’s acclaimed production returns, setting Puccini’s operatic thriller in a contemporary, war-torn Rome. Daniel Oren conducts Aleksandra Kurzak, who returns to the title role, joined by Saimir Pirgu as Cavaradossi and Christopher Maltman as Baron Scarpia. 

Shakespeare’s timeless tale of star-crossed lovers is transformed in Kenneth MacMillan’s mesmerising ballet. The flourishing of young love is just as present in Romeo and Juliet's meeting on the balcony as in their final moments when they desperately cling to life in the tomb. Prokofiev’s evocative music sets the scene for stolen romantic moments and deadly feuds and sweeps the ballet towards its inevitable and tragic conclusion.